George Kuchar Movies

That Woman uses as source material the original Barbara Walters interview with Monica Lewinsky, which is intercut with a re-staging of the interview....

A marriage on the rocks that hurts the heart almost as much as the colors hurt the eye. “[A] full color portrait of a break-up that comes...

There's lots cooking in the city-by the-bay and the waters smell good too as the viewer sails off to Sausalito for home-made bread and gets an ocular...

In Kuchar’s unique video-diary style, we experience the artist negotiating awkwardly with domestic settings, a party and a short trip to the...

An early masterpiece by Mike Kuchar, in which Babette tells all, leaving no turgid stone unturned.

Pastures filled with the bounty of a meateater's fantasy fill the screen with bellows of bovine origin as testosterone-driven madness runs rampant on...

The story of a matron and a midget in the heat of an unbridled passion. The colors run thick and heavy for paint and prurient pleasures as the...

This video diary/travelogue centers on a tropical trip to Acapulco where yours truly hits both sand and surf with maximum impact. The actual movie...

George Kuchar's comically grotesque look at the age-old clash of generations.

McGuire constructs a murky black and white soap-opera world of endless, timeless, and placeless limbo, where the characters talk to each other...

As I rummage through a stack of photos the memories of this and that plus who’s what and where rush in helter skelter. There’s a lot to...

Experimental short

We are what we eat, and we talk about what we are; so, naturally, we get hungry all the time. Join my friends as we not only hear, but see what they...

Holed up in a Oklahoma motel room, George Kuchar witnesses the tornado-conjuring power of a talking ceramic figurine.

A lonely, bohemian poet befriends the good, the bad and the ugly in this rooftop drama set in New York's lower East side of Eden.

Experimental short

The beast within and without makes an attempt to fuse with culture and the denizens of a Frankensteinian legacy.

Shot in low-light style, Kuchar documents his experiences with various underground filmmakers such as James Broughton and Ken Jacobs, then moves on...

Made with my production class at the art asylum called the San Francisco Art Institute, this wide-screen drama of run-a-way spectacle and crazed...